With all four kids grown and out of the house their family shared for 22 years, Lyn and Scott Sohr were ready for a new chapter. Having always preferred the building process to renovating, it came as sort of a surprise when they found themselves buying a dated 1990s fixer-upper after touring it on a whim. “It needed a total rehab, but the views of Nashville’s skyline sold us,” says Lyn of the 11,000-square-foot, four-bedroom residence. As luck would have it, Scott’s brother and sister-in-law are cofounders of the Nashville-based design firm Pencil & Paper Co. and knew exactly who to recommend for the overwhelming gut job: Enter AD100 interior designer Suzanne Kasler and architect Bill Ingram, both of whom are based in Atlanta.
“The house was in dire need of an identity,” Ingram says. “It was part Craftsman-style lodge and part Las Vegas opulence, with marble, travertine, and carved Corinthian columns. We really scratched our heads over how to make it cohesive.” In the end, Ingram and Kasler decided on a few major changes to the floor plan that would allow for better flow (the couple often hosts gatherings for up to 35 extended family members who all live in the area) and left no surface unturned in the process.
The entry features a Formations light fixture and a Liaigre desk. Architect Bill Ingram created a grand staircase to replace the wrought-iron spiral stair that previously stood in the center of the living area.
A seating area in the living room contains a sofa from Saladino and a pair of chairs from Jonas.
Ingram went about transforming a small sunken living room into a gracious entry hall (the current floor plan had lacked one) and installed a grand six-foot-wide staircase to replace the “dinky” spiral one in the main living area—a tall, narrow space that Ingram refers to as the spine of the house. “The biggest challenge was making that room more usable,” the architect says. “Originally it had a 30-foot vaulted ceiling with exposed timbers, and it just felt too much like a lodge. We brought the height down to 22 feet and swapped in a flat rough-sawn pine ceiling for a cleaner look.” The kitchen, with a choppy layout made worse by the odd placement of a staircase leading to the basement, was another point of contention. “There was a floor-to-ceiling aquarium and a massive electric carousel pantry that would rotate out of the floor,” Ingram explains. “I had never seen anything like it. It was overwhelming at first, but we stripped the home of its dated components and tried to give purpose to the rooms that hadn’t been thought out well. Now, the overall effect is more calming and spa-like.”
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Kasler further emphasized this spa-like quality by employing neutral furnishings and painting nearly the entire house in Benjamin Moore ’s White Dove. “White walls show off the strong architecture, which I wanted to be the main feature of the residence,” says the designer, adding that this was one of the most problematic houses she has ever laid her eyes on. “Renovating is always more challenging than building new,” Kasler says. “Still, some of my favorite projects have been renovations because they often turn out to be more interesting; this one started with a very traditional aesthetic and an unusual floor plan, but now it’s clean, tailored, and cozy—and every room has a function and encourages socialization.”
Aside from a few beloved pieces the Sohrs had in their previous home, Kasler chose mostly streamlined contemporary furnishings that are a far cry from what the couple had been living with previously. “In our last home, I was constantly redoing rooms to try to stay current,” Lyn says. “I wanted this one to be a place where I could live for several years without even the slightest thought of renovating—something timeless, comfortable, and inviting.”
